Music for video production. Virtually any genre, mood, or use.

Video production companies sit in a specific spot in the deliverable chain — between the client who ordered the work and the platforms or networks where the work actually runs. The production house owns the creative execution, the post timeline, and the client relationship. The music has to fit all three: right for the creative, clearable on the timeline, and solid at the client-side legal review. GMP Music is built for the shops that ship multi-client deliverables every week.

The catalog is sixty thousand tracks across every genre, mood, and tempo a production might call for — polished corporate underscore for branded content and internal comms, cinematic weight for brand films and recruiting videos, warm acoustic beds for testimonials and founder stories, tech-forward electronic cues for SaaS demos and explainer work, and ambient underscore for the long-form documentary and process-driven content shops increasingly take on. Every track is master and publishing cleared at the source, so every client deliverable ships with rights the brand's legal team and broadcast affidavit process actually accept.

Licensing is clean and simple. One standard license covers all that you need — your finished product is licensed to use anywhere, forever, with the only exception being theatrical release, which requires an additional license. For shops with ongoing volume, annual Web Lease subscriptions and blanket licensing are available.

Every production-house relationship routes to a real licensing specialist. The same person who quotes the scope, manages the slate blanket terms, and writes the rights extension when the client wants to push the deliverable into another market is reachable by phone and email — not a ticket queue. That continuity is what production shops with recurring client work actually need from a music partner. We are the library production houses keep on retainer because the specialist on the other end actually picks up.