Background music for video. Underscore that sits where it should.

Background music for video is a working format, not a genre. The job looks the same across most of the long-form video that ships out of production studios every week — an underscore that holds an emotional arc, a bed that sits under voiceover or dialogue without competing for the mids, edit-length variants that the editor can drop into a 60, a 30, a 15, and a bumper without re-cueing, and a license that clears for everywhere the final video might land. That is the shape of the work, and that is the slice of the GMP catalog this page is about.

The category covers the full range of video production — brand films and corporate explainers, case studies and customer stories, training and internal communications, product launches and event recap reels, conference content and trade-show loops, web video, OTT inserts, and the social cutdowns that always come after. What ties it together is the role music plays: serving the picture, not headlining it. The producer who searches for background music for video is not looking for a pop placement or a band's music video license — they are looking for an underscore that does its job and gets out of the way.

The GMP library is sixty thousand tracks deep across cinematic, corporate, acoustic, ambient, and electronic — the working lanes most video work lives in. Tracks are tagged and arranged for the way editors actually cut: long-form arrangement pieces with intros that build, mid-sections that hold steady under voiceover, and resolution swells that land on the picture's final beat. Most cues ship with 60s, 30s, 15s, and bumper versions out of the box, plus alternate mixes with less instrumentation that sit cleanly under narration.

Every track is master and publishing cleared at the source. That clearance is the part of music licensing that breaks first when a production uses the wrong library — and the part that costs the most to fix downstream. GMP's standard license covers broadcast, streaming, OTT, paid digital, web, social, and in-venue use under in-perpetuity terms, with a single fee and a single license. There is no third-party publisher to chase, no separate master administrator, and no second invoice arriving after the campaign has already shipped.

GMP has been writing and licensing production music since 1989. is a licensed production music library. Every track comes with clear documentation and chain of title — the paperwork platforms, legal teams, and rights reviews accept. One standard license covers nearly every use, so licensing stays clean and simple, and the rights are settled before the work grows.