Music for the really special occasions. Cleared for social media.

Wedding and event videographers work under a constraint most other video producers don't — the music has to clear not only for the videographer's own delivery, but for the client's social distribution on the other side of the handoff. The couple is going to post the highlight reel on Instagram. The bride is going to embed it on the wedding website. The brand is going to push the conference recap to LinkedIn and the venue is going to use a cut for marketing. Every one of those uses is a separate distribution path, and the license covers them all.

GMP's videographer licensing is built around the way the work actually delivers. Per-event licenses cover a single wedding or event end-to-end — the highlight reel, the full ceremony cut, the reception, the recap for socials, and the teaser, plus the social-share rights the couple or the brand needs to post the final video everywhere clients post final videos. The annual plan covers every event a videographer shoots in a calendar year on a single flat fee, which is how most solo operators and small studios end up running once they have a steady booking rhythm. The annual plan is the one most videographers move to after their first season of trying to license track-by-track on a Sunday night.

Master and publishing are cleared at the source — one license, one paper trail, in-perpetuity terms. That clearance is what keeps the couple's Vimeo upload clean six months later, what keeps the Instagram reel from running into a platform claim, and what keeps the brand client's marketing team from emailing the videographer to ask about rights on the LinkedIn post. When a routine match does surface on a platform, it resolves to your license — often in seconds — through the platform's claim-resolution flow.

The catalog itself runs sixty thousand tracks across the lanes event films actually live in — cinematic for the build of a highlight reel, acoustic for the toast and the vows, orchestral for the processional, ambient for slow-motion ceremony underscore, and pop for the reception recap. Most tracks ship with the edit-length versions a videographer needs out of the box — full themes, alternates, and edits at common lengths. The library grows weekly, so the catalog keeps pace with the seasons you shoot.

The economics work for the way working videographers actually price their packages. An annual plan turns the music line item from a per-couple variable into a flat overhead the studio knows by January. The per-event license is there for the off-season one-off, the elopement shoot that didn't fit the annual cadence, or the corporate gig that came in as a one-time job. Either way, the license writes for the full deliverable scope and the client's downstream use.