For Trailer Houses, Studio Marketing & A/V Agencies
Music for trailers. Builds, drops, and the final beat.
Hybrid orchestral builds, sub-bass impact hits, percussion drives, and sound-design-meets-score cues — suited to the three-act trailer structure that theatrical, streaming, and game marketing teams cut against every day.

Studios and networks that license our music.
How licensing works
Three steps. Clean, clear and simple.
- Step —01
Browse
Search the catalog by style, mood, use, instrumentation, tempo and duration or use Jessica, our AI music supervisor for assistance. Preview the results in seconds.
- Step —02
License
Direct purchase and download include nearly all licensing you will need, with the exception being in-theatre film release. Subscription-based licensing is covered by an annual blanket license.
- Step —03
Use
After payment is received for direct purchase or subscription purchase, you will have the appropriate licensing documentation in hand. You are clear to sync the music with your production.
How the library works for you
Nearly every title, ready for the scene.
Nearly every title in the catalog works the same way, built so the version you need already exists.
- 01
The full theme, plus alternates
Each title includes a theme version with all the instrumentation, and usually alternate versions with less instrumentation for quieter moments in the scene.
- 02
Broadcast lengths, included
Most titles include edits at common broadcast lengths of 60, 30, 15, and stingers, plus versions separated by sections or parts.
- 03
One standard license
The standard license covers nearly every use. The only exception is theatrical release, which requires an additional license. Contact us with a request for quote and we will respond quickly with a license that meets your requirements.
What every license includes
Built for the cue that has to land every single frame.
- 01
Trailer-Grade Hybrid Music
Orchestral and synth hybrid builds for trailer structure — quiet open, mid-act build, button, big drop, third-act run. Sub-bass impact hits and braams at the production level theatrical and streaming campaigns require.
- 02
Sound Design Meets Score
Risers, downers, whooshes, sub drops, impact hits, and the percussive design elements that sit between music and SFX. Composed as part of the cue rather than dropped in by the editor — so the build holds even before the dialogue lands.
- 03
Theatrical Licensing, Made Easy
Theatrical release requires a specific license. Contact us directly with a request for quote and we'll quickly respond with a license that meets your requirements. Everything else — streaming, social, digital marketing — is covered by the standard license.
Proof
GMP by the numbers — for trailers
- licensing marketing & trailers
- Since 1989licensing marketing & trailers
- tracks cleared for trailer use
- 60Ktracks cleared for trailer use
- to digital campaign clearance covered
- Theatricalto digital campaign clearance covered
- standard license covers nearly every use
- Onestandard license covers nearly every use
Genres for trailer work
Five working genres for the cues that close the trailer.
Most trailer work lands in one of these lanes. Each cross-links to the full genre catalog — or tell us about your project and we will help you find the music you need.
Epic
Tentpole builds, hero moments, and the third-act runs theatrical trailers cut against.
Browse Epic
Orchestral
Cinematic weight — brass, strings, choir, and the percussion sections that drive the build.
Browse Orchestral
Cinematic
Hybrid score-meets-design cues for the mid-act build and the button before the drop.
Browse Cinematic
Horror
Tension beds, dissonant strings, and stinger cues for genre and prestige horror campaigns.
Browse Horror
Electronic
Synth-forward builds and sub-bass drops for sci-fi, action, and game trailer work.
Browse Electronic
Trailers, by genre
Pages built for the specific cue your trailer needs.
Cinematic Music for Trailers
Restraint and emotional weight for prestige trailers — the cue that lets the title card land.
Read more
Epic Music for Trailers
Big drums, brass swells, hybrid orchestral builds — the trailer-house default.
Read more
Horror Music for Trailers
Dread, dissonance, sound-design — calibrated for horror and thriller marketing.
Read more
Dramatic Music for Trailers
Tension, restraint, narrative weight — for prestige drama and awards-season cuts.
Read more
Intense Music for Trailers
High-energy percussive builds — the trailer-builds family, crossover with epic and dramatic.
Read more
Scary Music for Trailers
Pure dread — sound-design driven, atmospheric tension for horror trailer launches.
Read more
Dramatic Music for Movie Trailers
Feature-film positioning — written for theatrical marketing specifically.
Read more
FAQ for trailer teams
Common questions from trailer houses before licensing a cut.
Find a track in the catalog and purchase the license in-app — the standard license covers nearly every use, including streaming, social, and digital marketing. Theatrical release requires a specific license: contact us with a request for quote and we'll quickly respond with a license that meets your requirements.
Yes. Theatrical trailer scope is a standard license tier, covering trailer use in theatres, the digital cutdown family, in-app and social distribution, and the territory-specific scope studio marketing actually runs in.
Yes — that's a core area of the catalog. Hybrid orchestral builds, sub-bass impacts, braams, risers, drops, percussion drives, and the sound-design elements that sit inside the cue rather than over it. Suited to the three-act trailer structure that A/V agencies actually cut against.
The library spans roughly sixty thousand tracks across epic, orchestral, cinematic, horror, and electronic — the working trailer lanes — and grows weekly. If your first search comes up short, tell us about your project and we'll help you find the music you need.
Pricing scales by campaign scope: a digital-only cutdown sits lower than a theatrical tentpole, a single trailer lower than a campaign family. Your specialist writes a quote against the exact distribution scope.
GMP is a licensed production music library. Every track comes with clear documentation and chain of title, the paperwork that festival programmers, studio legal teams, and streaming rights teams accept. One standard license covers nearly every use, so licensing stays clean and simple.
About licensing music for trailers
Licensing music for trailers, end to end.
Trailer music is its own discipline inside production music. A two-and-a-half-minute theatrical trailer compresses an entire film's emotional arc into three acts and a button — quiet open, mid-act build, the moment before the drop, the third-act run, and the final beat that closes on the title card. The cue has to land every single one of those structural marks, with sub-bass impact hits, percussion drives, risers, and the sound-design elements that sit between music and SFX. GMP Music has been composing for that structure since 1989, and the catalog reflects what trailer houses actually cut against.
The library carries the hybrid orchestral builds, epic brass and choir cues, dissonant horror tension beds, electronic and synth-forward sci-fi builds, and the percussion-driven action cues that theatrical, streaming, and game trailer marketing teams reach for every week. Filter by mood, intensity, build structure, or genre — or tell us about your project and we will help you find the music you need. The trailer-specific elements — braams, risers, sub-drops, impact hits, downers, whooshes — are composed as part of the cue.
Licensing is clean and simple. One standard license covers nearly every use — streaming campaign drops, social cutdowns, digital marketing, and broadcast spots. The only exception is theatrical release, which requires a specific license: contact us with a request for quote and we will respond quickly with a license that meets your requirements.
GMP is a licensed production music library. Every track comes with clear documentation and chain of title — the paperwork platforms, legal teams, and rights reviews accept. One standard license covers nearly every use, so licensing stays clean and simple, and the rights are settled before the work grows.
Related
Adjacent pages worth a read.
Music for Film & TV
Sister page for feature film and television scoring — where many trailer cuts originate.
Read
Music for Advertising
Cross-link for brand and advertising campaign work alongside trailer scoring.
Read
Music for TV Productions
Television-focused — network and streaming series promo and campaign scoring.
Read
Music for Commercials
Commercial campaign scoring — short-form brand cues across broadcast and digital.
Read
Your next trailer cue is already in the library